Working with track mattes to track complex shapes

…We're not going to do the second part of this track.…Now we're going to figure out a way of keeping the original shape that we have if…I turn my shape overlay back on again…in the viewer controls and turn the surface off.…I'm also going to come over to the left hand…side of the Layer Properties and turn that offers well.…So what I want to do is keep the shape as I have here as much as possible.…So, let's look at what that's going to be like.…Let's come down again to our timeline controls.…We set our outpoint to the end of the clip…and zoom our timeline out to the full range here.…

So, if we take a look at our timeline now, we can see…we've got blue going down the first 80 frames now, of our clip.…So, that's showing us where we've tracked this particular layer, layer four.…It's not a very good descriptive name.…I'm going to change that as soon as possible, just by double clicking…on it and I'm going to call this one box front /track tr for track.…Just so that I know we are tracking that.…And let's set my endpoint now on my timeline to be, to start at…