From the course: Audio Mastering Techniques
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Using multiband limiting
Multiband Limiting splits the input audio signal into multiple frequency bands, each with its own Limiter. The main advantage of a multiband is that a loud event in one frequency band won't affect the gain reduction in the other bands, that means if something like a loud kick drum will cause low frequencies to be limited, but the Mid and High-frequencies won't be effected. This allows you to get a more controlled hotter signal with far less limiting with the typical Single-band Limiter. Here's how it works. In this case we're going to be looking at a Waves L3 MultiMaximizer, and, as you can see, it's broken down into five bands: 2, 3, 4, 5. And we have Very Low, Low, Mid, High-Mid, and Highs. Now the first thing we are going to do is set our Output Ceiling, I like to set it -0.2 because I like that extra little bit of headroom that you get from it. And you don't hear the difference anyway so that kind of works from me better. But -0.1 is what a lot of pro-mastering engineers use. Now…
Contents
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Making a loud master3m 7s
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Compression tips and tricks2m 4s
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Achieving competitive level2m 2s
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Understanding the pitfalls of hypercompression2m 10s
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Balancing frequencies3m 20s
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Reducing sibilance with a de-esser2m 2s
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Inserting fades1m 37s
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Eliminating noise and distortion43s
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Using multiband limiting4m 23s
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Adjusting the stereo image3m 24s
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Bringing out specific elements in a mix8m 18s
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