From the course: Learning Auria Pro
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Audio warping
- Earlier in this chapter I explained that one of the advantages of working with mini tracks is that you can easily fix timing issues by manually adjusting notes that might have been played ahead or behind the beat. But when you're working with real instrument recordings, when you're looking at wave forms instead of data, you're often locked into what you recorded. Now you've seen that you can use time stretching to lengthen or shorten a region, but what if you have a recording in which parts of the performance are a little bit late or early but you're otherwise happy with the recording? That's when Auria Pro's audio warping feature comes in handy. It's for when you feel that the timing of the track is not tight enough for your tastes, but you like the track enough to not re-record it. Or, you might not have the ability to re-record it. Now because we didn't record the song we're working on to a metronome track, it won't really be effective for me to demonstrate audio warping here. So…
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Contents
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Select regions6m 12s
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Trim regions and add fades7m 6s
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Edit with Cut, Copy, and Paste5m 5s
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Split and separate regions2m 12s
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Additional editing tools5m 14s
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Editing MIDI with the Piano Roll Editor9m 31s
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Time stretching4m 28s
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Audio warping5m 40s
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Crossfade regions6m 21s
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Understand destructive processing options7m 17s
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