From the course: Carter Beauford: Under the Table and Drumming
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Overall approach
From the course: Carter Beauford: Under the Table and Drumming
Overall approach
- I like to emphasize the importance of space. I remember playing with several bands that had a percussionist in the group and my style of playing at the time was very low keyed, more or less, still playing still playing hard, but not as much because we had a percussionist that was in the group. And you have to respect that. I mean, if you want to become a better musician do not step on anyone's toes and keep the music you know from getting cluttered. Almost every band that I've ever played in had a percussionist. So I didn't have to play as much. But once that band came along, the first band that came along where there wasn't a percussionist, I felt as though I had to compensate for the lack of one, for the lack of a conga player. And it then required me to use a lot of splash symbols. a lot of woodblocks, timbalis and a lot of hand work on the Toms to try to, like I said, compensate for the lack of that…
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Ants Marching: Performance4m 33s
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Ants Marching: Conversation1m 22s
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Fills1m 19s
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Four-stroke roll: Example 146s
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Four-stroke roll: Example 22m 11s
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Four-stroke roll: Example 32m 10s
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Timpani crossover3m 19s
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Left-hand lead and open-hand approach3m 30s
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Mobility and open-hand approach57s
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Triplet pattern1m 22s
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Satellite chorus part1m 18s
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Left-hand bell patterns22s
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Left-hand lead on bell1m 7s
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Latin left-hand lead1m 45s
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Developing left-hand lead and open-hand approach1m 15s
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Satellite: Conversation35s
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Satellite: Performance4m 25s
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Dave: Conversation2m 5s
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Mixing styles4m 59s
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Overall approach4m 57s
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50 Ways and Lover Lay Down5m 42s
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Lie in Our Graves: Conversation and performance6m 23s
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