By Kristin Ellison | Friday, April 11, 2014
This week Bert walks us through creating reflections and shadows cast by the neon tube lights in this store sign.
By James Fritz | Friday, January 10, 2014
Explore Pixel Playground at lynda.com.
Picking up where we left off, Bert shows us how to create realistic chrome reflections in the trim of a headlight. He begins by sharing a classic technique using the Adobe Photoshop Spherize filter that still works today. His is a more modern process involving the Warp tool to bend images into the reflections around the light. He finishes by adding a few additional layers with reflections from other areas of the scene.
By James Fritz | Friday, November 8, 2013
Explore this course at lynda.com.
This week Bert takes us through the final steps to complete the golden boat medallion by taking last week’s results into the third dimension.
By Jim Heid | Friday, July 19, 2013
Reflections are something you often don’t want in photography. If you’re shooting through a window, for example, you might attach a polarizing filter to your lens to reduce the glare and reflections of the world behind you (see Chapter 2 in Foundations of Photography: Specialized Lenses).
At other times, though, reflections can add a striking element to a photo. And that’s the subject of this week’s installment of The Practicing Photographer, wherein Ben Long reflects on the value of reflections.
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