By John Roshell | Wednesday, July 8, 2015
San Diego Comic-Con is in full swing this weekend. For nearly 150,000 people, it’s a chance to dress up as a Stormtrooper, or a zombie, or a zombie Stormtrooper, and get the skinny on the latest video games, comic books, and movies.
But for those of us who work in the comics industry, Comic-Con is our annual opportunity to meet face-to-face with the people we collaborate with the rest of the year. Back in the days of Stan Lee and Jack Kirby, comic books were created start to finish in one big office. But now writers, artists, letterers and colorists—like creative folk in many fields—can live and work wherever we like.
For example, the Eisner Award-winning comic Astro City is written by Kurt Busiek in the Pacific Northwest region of the United States, drawn by Brent Anderson in the San Francisco Bay Area, colored by Alex Sinclair in San Diego, lettered by me and my Comicraft cohorts in Santa Barbara, and coordinated by editors Kristy Quinn and Molly Mahan at the DC Comics office in Burbank. The comic and its creative team celebrate Astro City’s 20th anniversary next month, so our system must be working!
Here’s a peek behind the scenes at how Astro City is produced, from the moment the script is finished until files are delivered to the publisher for printing.
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