By Robbie Carman | Saturday, December 20, 2014
Cut down on wire clutter by going wireless.
Wireless microphones are essential to your audio kit. From presentations to narrative films, you can use them in any production to give your talent mobility.
But are they the best audio option for your production? This week on Video Gear Weekly, guest host Cheryl Ottenritter and I will walk you through how to work with a wireless mic.
By David Franz | Saturday, September 6, 2014
How do EDM artists like Deadmau5, Skrillex, and Calvin Harris get that giant pumping sound from their synths while keeping their kick drums slamming through the mix? They use a technique called side chaining.
By David Franz | Friday, July 18, 2014
Did you catch St. Vincent on “The Late Show with David Letterman” last night? Get an inside look at how the band’s explosive, exhilarating sound is put together with a new course by its keyboard player and programmer Daniel Mintseris.
By Chris Meyer | Monday, January 13, 2014
Explore this course at lynda.com.
Whether you’re editing for documentaries, reality television, or corporate videos, you’re likely to run into this scenario: The talent is giving a long speech, perhaps unrehearsed. In the middle of that speech, you’d like to pull out a really good sound bite—but the pauses around the sound bite don’t create enough space (known as a “handle”) to cleanly isolate the segment. Sound familiar?
There are a couple of time-honored solutions to this problem, including muting the audio before and after the desired sound bite, freezing the video to extend the handle, or performing a split edit (cutting the video separately from the audio). All of these compromises, however, can appear visually jarring, taking the viewer out of the flow of the program.
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