By Robbie Carman | Friday, April 4, 2014
Grain, shadows, highlights—getting the right film look hinges on how these three elements are handled. Last week we explored how to build film looks in DaVinci Resolve; this week we’ll look at the same process in Adobe SpeedGrade—an excellent color grading tool that’s particularly user–friendly and intuitive. Joining Rich and me again this week is colorist Patrick Inhofer, who’ll walk us through his personal techniques for achieving a film look in SpeedGrade using footage from a recent music video shoot.
By Richard Harrington | Friday, March 28, 2014
It’s very expensive to shoot with film, but there are ways to create a film look in post–production. DaVinci Resolve and Adobe SpeedGrade are two popular apps you can use to color grade, and create film looks for your footage. Join Robbie and me along with our special guest, colorist Dan Moran, a London-based expert in DaVinci Resolve, as we demonstrate different ways you can use Resolve to transform your digital footage into a stylized film look.
By Richard Harrington | Friday, March 14, 2014
Log recording is an incredibly handy mode to consider when shooting video. It uses a different color space than standard recording modes, making the image appear flat and washed out—but giving you tremendous flexibility in post-production. When recording in log mode, you retain detailed information in the highlights and shadows of your footage, allowing increased dynamic range in the image itself.
In this episode, Robbie and I explore log recording workflows on a multi-camera set, then transition to post-production and process the resulting footage with Adobe Premiere Pro and SpeedGrade to show you the benefits of log recording firsthand.
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