By John Roshell | Friday, August 7, 2015
When people find out I’ve created hundreds of fonts for the comic book and video game industries over the last 20 years, one of the first things they ask is, “Can you make a font of my handwriting?”
The answer is “of course!” But even better, you can create a font out of your handwriting!
It’s actually not too hard to get a basic font up and running using your smartphone camera, Adobe Illustrator, and Glyphs Mini, a low-cost but remarkably powerful little font editing app. You can buy a license for Glyphs mini from the Apple App Store or the Glyphs site for $49, or try it free for 30 days.
Trust me: Typing out words in a font you’ve created is a thrill. So let me show you how to make a handwriting font.
By John Roshell | Wednesday, July 8, 2015
San Diego Comic-Con is in full swing this weekend. For nearly 150,000 people, it’s a chance to dress up as a Stormtrooper, or a zombie, or a zombie Stormtrooper, and get the skinny on the latest video games, comic books, and movies.
But for those of us who work in the comics industry, Comic-Con is our annual opportunity to meet face-to-face with the people we collaborate with the rest of the year. Back in the days of Stan Lee and Jack Kirby, comic books were created start to finish in one big office. But now writers, artists, letterers and colorists—like creative folk in many fields—can live and work wherever we like.
For example, the Eisner Award-winning comic Astro City is written by Kurt Busiek in the Pacific Northwest region of the United States, drawn by Brent Anderson in the San Francisco Bay Area, colored by Alex Sinclair in San Diego, lettered by me and my Comicraft cohorts in Santa Barbara, and coordinated by editors Kristy Quinn and Molly Mahan at the DC Comics office in Burbank. The comic and its creative team celebrate Astro City’s 20th anniversary next month, so our system must be working!
Here’s a peek behind the scenes at how Astro City is produced, from the moment the script is finished until files are delivered to the publisher for printing.
By John Roshell | Thursday, May 7, 2015
As a graphic designer working in the comic-book industry, I’ve created hundreds of logos over the past 20 years: Spider-Man, The X-Men, Daredevil, The Avengers …
But the most well-known logo I’ve ever designed wasn’t for a comic book at all. It was an unexpected request that came from a couple of Finnish video game designers with a hit app.
And it came together pretty quickly—using a Sharpie and some scratch paper.
Here’s how I designed the Angry Birds logo:
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