By Brian Lee White | Sunday, February 8, 2015
Love it or hate it, Auto-Tune (and pitch correction tools like it) have solidified themselves as a fundamental part of 21st-century music production.
With the recent release of Auto-Tune 8 and the 57th annual GRAMMY Awards both upon us, it’s a great time to discuss a few misconceptions surrounding tuning software and its role in modern music production—as well as offer up some of my best practices as a professional using these tools daily.
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