Filmmaker Maxim Jago walks through all the steps—from rough cut to final output—involved in creating a finished electronic press kit (EPK).
- Adobe (17)
- Premiere Pro (14)
- After Effects (2)
- EDIUS (2)
- Grass Valley (2)
- Audition (1)
- Photoshop (1)
- Prelude (1)
- Premiere Elements (1)
- SpeedGrade (1)
- Video (19)
- Video Editing
- video2brain (13)
- Audio for Video (2)
- Color Correction (1)
- Compositing (1)
- Motion Graphics (1)
Filmmaker Maxim Jago shows how to add titles and graphics and then output a finished video file for a video electronic press kit (EPK).
Filmmaker Maxim Jago shows how to clean up audio and add audio effects for a video electronic press kit (EPK).
Filmmaker Maxim Jago shows how to color correct and add visual effects to create a distinct look for a video electronic press kit (EPK).
Filmmaker Maxim Jago shows how to refine the edit and add creative transitions for a video electronic press kit (EPK).
Filmmaker Maxim Jago shows how to import and edit footage and create a simple assembly edit for a video electronic press kit (EPK).
Covers the new features of the EDUIS 6.5 real-time video-editing package, now offering advanced native stereoscopic editing support and a range of smaller but important improvements.
Introduces some of the deeper finishing techniques and technologies available in Premiere Pro CS6.
Offers guidance on project and file management and best practices for sharing media and creative work between applications.
A quick, easy-to-use guide for editors who want to make the transition from Avid Media Composer or Final Cut Pro to Adobe Premiere Pro, or even to move back and forth between applications.
Build your skills and start cutting with Adobe's nonlinear editor.
Use Prelude to organize, ingest, transcode, tag, comment, subclip, and build a rough cut before sending media on to Premiere Pro for editing.
Find out about the surprisingly powerful compositing tools that are available in Premiere Pro and see what you can achieve without ever leaving your editor.
Demystifies color correction and gives detailed explanations of the key controls, options, workflows, and best practices for color correction with Premiere Pro.
A solid but fast-moving introduction to the fundamentals of nonlinear editing.
Shows you how to make the most of what Photoshop has to offer, using language that speaks to video editors and examining features that relate to the video-editing workflow.
Unlock the potential of EDIUS and its real-time effects, multi-format editing, and multi-camera support.
Teaches you everything you need to know to get cutting with Premiere Pro, interacting dynamically with other Adobe applications, and outputting to multiple formats.
A quick, easy-to-use workshop for editors who want to make the transition from Avid Media Composer to Adobe Premiere Pro, or even to move back and forth between the two.
“I'm completely blown away by the quality and quantity of training you offer. I feel like Neo in The Matrix when they would insert a training program and within a few minutes he could say, "I know jiujitsu!"” —Zolla M.
more from our members »