From the course: ZBrush: Sculpting Portraits
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Working on the lower eyelids - ZBrush Tutorial
From the course: ZBrush: Sculpting Portraits
Working on the lower eyelids
- Now that we have eyeballs, it's going to be easier to create eyelids that conform to the right shape. eyelids can be tricky because we're so used to looking at eyes on people's faces, that any little flaw sticks out. In this video, I'll show you the most important things to look out for. However, you might want to supplement this with some of your own anatomical study and research. The first thing I want to do is hollow out a little bit more of a cavity around the eyeball. Looks like part of the face is still kind of sticking inside the eyeball. So let's zoom in here and I want to get my clay brush, B, C, L and let's just hollow this out a little bit. Now it can be kind of tricky because that eyeball is right there. If that's in the way, you can go to Transform and Transparency. So I'm just holding down Alt and carving out a little bit more space for this eyeball to rest in. Okay good. Now the way I like to build a lower eyelid, is to think about how it's attached to the rest of the…
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Contents
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Placing the eyeballs in the sculpture6m 24s
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(Locked)
Working on the lower eyelids5m 51s
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(Locked)
Making the upper eyelids7m 56s
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(Locked)
Sculpting the basic ear structures5m 3s
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(Locked)
Working on the nose5m 5s
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(Locked)
Shaping the mouth5m 49s
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(Locked)
Using ZRemesher to create new topology4m 38s
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(Locked)
Projecting detail to a remeshed model1m 44s
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(Locked)
Organizing the mesh with PolyGroups4m 7s
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(Locked)
Using transparency with reference photos3m 46s
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