From the course: The Foundations of Fiction
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Second person (advanced)
From the course: The Foundations of Fiction
Second person (advanced)
(educational music) - Jo, you're such a great person. - Oh, thanks. - I mean, you're fun to write with, you're fun to work with, you're fun to have tea with. - Oh, that's really kind of you. - You're so upbeat and - Hang on, why all the compliments? Do you actually want the last cookie and we're playing the subtext game again? - Well, no. I mean, it's all true of course, but actually, I was just tryin' to try out that second person thing. - Oh, I should guess with all the you's. - Yes, it's all about you, you, you. - Yay. - Actually, I'm afraid to say this lecture isn't all about you Jo. It's about second-person point of view and how to do it effectively. - Oh okay then. If it's not all about me, then I'm happy for it to be about you. As in, the second person, you. - [Jess] Second-person point of you, as you have probably figured out by now, is when the narrator uses the term you and your to tell the story. - [Jo] As we said in an earlier lecture, this can mean different things…
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Contents
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(Locked)
Who is telling the the story? (foundation)4m 12s
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Third person (foundation)10m 14s
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Mini lecture: Two characters, one point of view (foundation)4m 49s
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(Locked)
First person (foundation)8m 29s
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(Locked)
Multiple first and third (advanced)10m 40s
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(Locked)
Second person (advanced)5m 45s
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(Locked)
Mini lecture: You should listen to me (advanced)4m 24s
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(Locked)
Unreliable narrator (advanced)8m 12s
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(Locked)
Mini lecture: Trust me, I'm lying (advanced)5m 2s
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(Locked)
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