(somber orchestral music) - [Narrator] It's so hard to believe.
I keep dreaming that she's here with me and we can go home. But people of my world are sick, dying. I can never go home. I am alone. My sister was the only family I've ever known and I miss her. She left me here in the wilderness. I know her mission is important, but I still don't understand it.
I always knew my sister would do something great. I didn't know what it was, but she did, and that weighed heavily on her. Ta'ani kept her secrets 'til the end. All I knew was that she had more hope than most. She wanted that for me too. - [Woman] Recite the poem. - (sighs) Through forest as deep and desert long, I will be brave, I will be strong.
- [Narrator] I did not share her faith. A great evil has come to this world. They say it is a God that has rebelled and fallen and that his presence creates the terrible plague that is destroying our people. - To all of the assurance. - [Narrator] Some find hope in the ancient drawing. They think it's a sign from the Gods that we'll be saved. - Draw the assurance every day. - [Narrator] Ta'ani believed. She had me study it and draw it over and over.
I was not a good student. I suppose she was preparing me to learn who she really was and why she had to leave. I didn't understand why the assurance was so important, but some did. - What do you see? - [Narrator] The few that are left gather often to learn and to look forward to a better day. Though even the believers doubt they will be around to see it.
One day I was exposed and everything changed. We left our home, went out into the wilderness, and Ta'ani finally taught me about her mission. - There's a lot I need to tell you. The Gods have blessed our family. We can do great things. Shh.
(dramatic music) Never fear this challenge. - [Narrator] I had so many questions, but the next day, she was gone.
Now I think I understand. She taught me who she was, who I am, and to believe. The people of my world are dying, but they are not dead. Ta'ani's mission was to send me to save them. And I intend to. - If others knew you existed, our lives would never be the same.
- A child will come to save us. (slow dramatic music) - Impossible. - Korda'a you've been exposed. They know who you are. The fanatics will come after us.
We're not safe here. We must leave. Korda'a, time for you to take your journey. - Why, aren't you coming? - You know what to do. - You are the chosen one! - Korda'a, you are the assurance. You can save us all. It was always you. - How do I know where to go? - Through forest deep and desert long.
- I will be brave. I will be strong.
(dramatic music) (orchestral music)
Author
Released
9/12/2017- Understanding exposure
- Getting coverage
- Diffusing, blocking, and shaping light
- Shooting at night
- Using wide and long lenses
- Telling stories with camera movement
- Framing the shot
- Using mobile cinematography apps
- Mastering cinematic lighting
- Using common grip equipment
- Lighting people in a flattering way
- Achieving a shallow depth of field
- Creating more cinematic shots
- Working as a Director of Photography
Skill Level Intermediate
Duration
Views
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Introduction
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The assurance7m 43s
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1. Cinematography Basics
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Understanding exposure1m 31s
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Adjusting the shutter speed2m 45s
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Adjusting ISO1m 50s
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Exposing for the subject3m 46s
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Using a light meter1m 16s
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Evaluating a histogram1m 37s
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Choosing a frame rate1m 34s
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Shooting slow motion footage2m 40s
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2. Setting Up the Shot
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The cinematography workflow5m 54s
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Understanding shot sizes5m 59s
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Using POV shots2m 10s
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Understanding the line2m 22s
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Creating dimension2m 44s
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Selecting the aspect ratio3m 33s
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Leading the eye4m 11s
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Cheating lights and talent1m 35s
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3. Framing the Shot
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The importance of framing3m 34s
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Utilizing thirds1m 54s
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Centering the subject1m 32s
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Using high and low angles2m 10s
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4. Lighting in Theory
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Hard light vs. Soft light4m 27s
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Avoiding "sourcey" light2m 18s
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Realism vs. Beauty3m 13s
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5. Lighting in Practice
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Mastering cinematic lighting3m 47s
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Diffusing light4m 51s
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Blocking and bouncing light4m 51s
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Using scrims2m 3s
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Working with natural light4m 20s
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Shooting night scenes5m 20s
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Making magic with fog2m 56s
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Coloring light with gels4m 13s
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Creating lens flares2m 19s
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Preventing lens flares1m 40s
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6. Lighting People
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Lighting from above1m 52s
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Lighting from below1m 49s
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Minimizing blemishes1m 49s
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Making light flattering1m 18s
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Using eye lights3m 10s
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Making a silhouette1m 38s
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Creating the film noir look2m 34s
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Lighting dialog scenes2m 3s
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7. Camera Basics
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Which camera should you use?3m 48s
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Building the camera2m 41s
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Supporting the camera1m 8s
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Achieving critical focus3m 48s
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White balancing the camera1m 50s
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Setting up video village2m 55s
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8. Telling the Story with Lenses
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Using lenses to tell a story3m 13s
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Working with wide lenses3m 20s
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Working with long lenses4m 28s
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Using premium optics1m 51s
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Racking focus1m 45s
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9. Moving the Camera
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Moving the camera6m 24s
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Using a slider1m 39s
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10. Creating Cinematic Shots
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Critiquing the shot2m 18s
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Changing the background1m 2s
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Rethinking the lighting1m 39s
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Changing the tone with gels1m 53s
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11. Fixing Mistakes
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Recreating the faceoff shot1m 26s
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12. Working as DP
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Responsibilities of the DP2m 29s
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Knowing the script1m 30s
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Scouting locations2m 26s
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Getting coverage4m 6s
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Gear: Renting vs. Buying2m 20s
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Working with the crew3m 47s
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Stealing shots2m 33s
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Shooting visual effects4m 48s
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Conclusion
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Improving your DP skills3m 10s
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Previewing the next course1m 49s
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Final thoughts56s
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Video: The assurance