- As mentioned previously,…preproduction is a really important time…for you as a cinematographer to work with the director…in establishing a visual style for the film,…as well as a game plan of how to shoot the film.…Also in preproduction is the location scout,…where key crew members go to potential shooting locations…to determine their viability.…This is important because sometimes locations…are chosen because they're cheap,…or because they will be empty on the shoot day,…or any one of a number of reasons…that have nothing to do with the way the location looks.…If the location is really cramped,…meaning it's really tiny and small,…you're going to have a tough time using…anything but wide-angle lenses,…and it might be equally difficult…to avoid light that looks too sourcey.…
Low ceilings can also make light look sourcey.…You might also have a difficult time shooting…in locations with a lot of open windows…because it will be difficult to maintain continuity…as the sunlight changes throughout the day.…As the DP, your opinion about issues like these…
Author
Released
9/12/2017- Understanding exposure
- Getting coverage
- Diffusing, blocking, and shaping light
- Shooting at night
- Using wide and long lenses
- Telling stories with camera movement
- Framing the shot
- Using mobile cinematography apps
- Mastering cinematic lighting
- Using common grip equipment
- Lighting people in a flattering way
- Achieving a shallow depth of field
- Creating more cinematic shots
- Working as a Director of Photography
Skill Level Intermediate
Duration
Views
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Introduction
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The assurance7m 43s
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1. Cinematography Basics
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Understanding exposure1m 31s
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Adjusting the shutter speed2m 45s
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Adjusting ISO1m 50s
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Exposing for the subject3m 46s
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Using a light meter1m 16s
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Evaluating a histogram1m 37s
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Choosing a frame rate1m 34s
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Shooting slow motion footage2m 40s
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2. Setting Up the Shot
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The cinematography workflow5m 54s
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Understanding shot sizes5m 59s
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Using POV shots2m 10s
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Understanding the line2m 22s
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Creating dimension2m 44s
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Selecting the aspect ratio3m 33s
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Leading the eye4m 11s
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Cheating lights and talent1m 35s
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3. Framing the Shot
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The importance of framing3m 34s
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Utilizing thirds1m 54s
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Centering the subject1m 32s
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Using high and low angles2m 10s
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4. Lighting in Theory
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Hard light vs. Soft light4m 27s
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Avoiding "sourcey" light2m 18s
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Realism vs. Beauty3m 13s
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5. Lighting in Practice
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Mastering cinematic lighting3m 47s
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Diffusing light4m 51s
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Blocking and bouncing light4m 51s
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Using scrims2m 3s
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Working with natural light4m 20s
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Shooting night scenes5m 20s
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Making magic with fog2m 56s
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Coloring light with gels4m 13s
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Creating lens flares2m 19s
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Preventing lens flares1m 40s
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6. Lighting People
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Lighting from above1m 52s
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Lighting from below1m 49s
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Minimizing blemishes1m 49s
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Making light flattering1m 18s
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Using eye lights3m 10s
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Making a silhouette1m 38s
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Creating the film noir look2m 34s
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Lighting dialog scenes2m 3s
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7. Camera Basics
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Which camera should you use?3m 48s
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Building the camera2m 41s
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Supporting the camera1m 8s
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Achieving critical focus3m 48s
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White balancing the camera1m 50s
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Setting up video village2m 55s
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8. Telling the Story with Lenses
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Using lenses to tell a story3m 13s
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Working with wide lenses3m 20s
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Working with long lenses4m 28s
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Using premium optics1m 51s
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Racking focus1m 45s
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9. Moving the Camera
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Moving the camera6m 24s
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Using a slider1m 39s
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10. Creating Cinematic Shots
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Critiquing the shot2m 18s
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Changing the background1m 2s
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Rethinking the lighting1m 39s
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Changing the tone with gels1m 53s
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11. Fixing Mistakes
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Recreating the faceoff shot1m 26s
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12. Working as DP
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Responsibilities of the DP2m 29s
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Knowing the script1m 30s
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Scouting locations2m 26s
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Getting coverage4m 6s
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Gear: Renting vs. Buying2m 20s
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Working with the crew3m 47s
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Stealing shots2m 33s
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Shooting visual effects4m 48s
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Conclusion
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Improving your DP skills3m 10s
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Previewing the next course1m 49s
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Final thoughts56s
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Video: Scouting locations