Join Brian Morse for an in-depth discussion in this video Connecting all of your shots, part of 3D Tracking and Nuke Compositing.
- [Male Speaker] Okay, so now that we have…our scene set up for camera two,…let's copy that across to camera three and camera four.…We'll zoom in here on the scene,…and the things we don't need…are the camera and the background.…Those are the things we're gonna replace.…Now what we're gonna do is we're gonna do…the same thing we did with our composites.…I'm just gonna grab these…and make a tool set out of them.…So go up to Tool Sets and Create,…and we're just gonna call this window scene,…and create and I already have one,…but I'll overwrite that.…
And now we can go over to camera three…and let's set this one up.…So let's put camera away…and our undistorted plate…and we can delete the rest.…And then let's add in our tool,…that's our window scene.…We just hook up the camera,…and the background.…
And now let's make some room here…so that we can merge this in.…I'm gonna bring our mat over here.…And so select…this merge, and just hit m,…and our pipes are opposite so just hit shift x…and let's connect this up.…
Then change the operation to plus…
- Exporting cameras to Maya and Nuke
- Importing models
- Setting up scenes for compositing
- Setting your color space
- Using 3D in Nuke to add a change
- Connecting all of your shots
- Rendering final composites
Skill Level Advanced
SynthEyes Essential Training (2015)with Brian Morse2h 34m Beginner
Compositing a Sci-Fi Force Field in NUKEwith Steve Wright2h 12m Intermediate
1. Exporting Your Cameras to Nuke and Maya
Exporting from SynthEyes6m 7s
2. Working in Maya
3. Compositing in Nuke
4. Using 3D in Nuke to Add a Change
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