From the course: Advanced Cinematic Video Lighting

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Overview of lighting: Master shot

Overview of lighting: Master shot

From the course: Advanced Cinematic Video Lighting

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Overview of lighting: Master shot

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- Okay, so here we are again, and Greg, it has changed considerably. - It has, yeah. - A lot of work done, and I'm excited to start breaking this down for everybody, and telling everybody what decisions we made, and, of course, motivated by the script, also by the director, in this case, me, but that's just by default, I think, on this particular one. - Small crew, yeah. - And small crew, not unusual now, and I do want to acknowledge the fact that this is very, very doable by a small crew. Some things to think about, of course, are scouting your location, finding a location that can build production design into it, and Rose found a fantastic location, which we knew would photograph really well, and it was just going to take kind of figuring out where everything was going to be, moving the living room from there where the crew is, into this space, so that it fit the script, and then starting to figure out how we're going to shape light. I think the best way to do this is in three…

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