From the course: Advanced Cinematic Video Lighting
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Lighting setup for the second interview
From the course: Advanced Cinematic Video Lighting
Lighting setup for the second interview
- All right, so I'm here with Cody in studio one and we actually just finished your interview. - Yup. - It was great, so thank you so much. - You're welcome, it was great. - Cody works here. He works over in the shop, and I want to break down sort of how we lit this one. So what we're going to do is we're going to kill the ambient light that we have. And I'm going to have Greg go ahead and pan our key in. Very similar, we're daylight balanced for all of our lights in this space. And we are using that book light again. The only real difference here I would say, is that we're using a double net. And that's just sort of slowing this down a little bit over here. So we're cutting a little, yup, you can see that just kind of feathers that off a little. And this is pretty common when you're using a big source and if somebody, especially was going to be wearing something like a white t-shirt or something like that, we do this all of the time. So that's basically what we're doing with our key.…
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