From the course: Foundations of Video: The Art of Editing
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Coming up with an editing plan
From the course: Foundations of Video: The Art of Editing
Coming up with an editing plan
Norman: So we've done a lot of preparation for editing. But we haven't started to cut a single frame yet, right? So are we ready to start cutting? Well, not yet. It's still going to be helpful for you to take the line script, your dailies notes, and your ideas about what the lean forward moment of the scene is. And do a little planning first. Let's take a look at my plan, how I made my choices, and how it changes as I create the plan. I think that I'll start with 31I, which is the side angle medium wide shot of Magellan walking and getting bumped. It's the only set up where we see Magellan get bumped, and looking at my notes, I preferred the second take. At some point I'm going to cut into 31A, where he notices Tiana. I'm not yet sure of exactly where that point will be yet. It might be on the bump, it might be as he turns around after the bump. I can scroll back a bit to find a frame, or maybe, maybe I want to cut in as he notices Tiana. I'll figure that all out later. Going over my…
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Coming up with an editing plan5m 10s
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Creating your first cut9m 44s
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Understanding when to cut and when not to cut7m 43s
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Exploring the impact of cutting on and off camera dialogue3m 54s
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Smoothing edits by manipulating the viewer's attention2m 32s
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Keeping things fresh through multiple screenings5m 44s
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