Join Adam Crespi for an in-depth discussion in this video Add metallic qualities, part of Substance Designer for Architectural Visualization (2017).
- Once we've got our ambient occlusion and normal going,…we can start to add in some metallic glints on the stone.…You may say, "Wait a sec.…This is stone.…I didn't think there's any metal in it."…But what we really need is that metal value…to control little glinting highlights…across that stone in an otherwise rough and muted surface.…I'll take a look at some reference imagery on this…and see what we need to do with our metallic values.…I'm here on the Eldorado Stone site again,…looking at images of that Santa Barbara Ashlar in place.…We can see primarily, it's, well, a muted, chiseled surface.…
We do see once in awhile is a little bit of a glint…depending on the angle we're seeing the stone from.…It's got a light luminous quality to it.…We can see in here, there's places…where we should see a little bit more of a shine,…right at the top of this stone, for example.…Little bits in here that would be flecks,…that just catch the light.…No necessarily a metal,…but we'll use our metallic values for that.…Back here in Substance Designer then,…
- Mosaic and metallic tiles
- Determining tile patterns
- Varying tile roughness
- Exposing parameters for design flexibility
- Testing tiles in a scene
- Crafting subtle metallic properties
- Patterned tile for accents
- Wood tile flooring
- Creating wood grain from noise
- Ashlar veneer
- Molded wall panels
- Woven mesh
Skill Level Intermediate
Creating Painted Metal in Substance Designerwith Joel Bradley1h 5m Intermediate
Substance Painter Essential Trainingwith Wes McDermott5h 55m Intermediate
1. Mosaic Tile
2. Metallic Tiles
4. Patterned Tile for Accents
5. Wood Tile Flooring
6. Ashlar Veneer
7. Molded Wall Panels
8. Woven Mesh
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