Join Patrick Inhofer for an in-depth discussion in this video Using a mask with a sky correction, part of Up and Running with SpeedGrade CC.
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In an earlier movie, we took a look at using secondaries in their own grading…clip to expand out the sky and give it a lot more pop and oomph.…We're picking up right.…We're we left off in 07_02_DML_END.…And just looking at what we did on the sky…expansion, you can see just how nice and poppy that is.…Sometimes a client will object a little bit because it's almost.…It almost looks a little too…gray, it looks a little too unnatural for the entire sky to look that way.…
And one great way of addressing that concern is combining the secondary…with the mask, and I do this all the time on skies.…I 'm going to go in here and turn on a vignette mask.…I'm going to soften it up quite a bit.…And then I'm going to take this vignette and put it…off over on a portion of the sky up here…on the left hand side in this case, just, just…because I have to make a decision and put it somewhere.…And then I'm going to take this and maybe feather this out a little…bit more, just to give it a little more of an organic feel.…
So it doesn't feel quite so circular. And then I'm going to…
This course was created by Patrick Inhofer and produced by Robbie Carman. We are honored to host this content in our library.
- Understanding the interface and reading scopes
- Getting clips and projects into SpeedGrade
- Understanding the 3-way controls
- Making contrast and color corrections
- Pulling HSL keys
- Making secondary corrections and using custom look layers
- Tracking masks to objects
- Matching shots
- Rendering footage
- Moving timelines between Premiere Pro and SpeedGrade