Join Patrick Inhofer for an in-depth discussion in this video Pulling HSL keys and limiting with masks, part of Up and Running with SpeedGrade CC.
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In this movie, we're going to continue working on…this shot from the Chris Jane music video.…In an earlier movie I had already isolated the open…sign to desaturate it as well as enhance the blue jeans.…The thing is, I'm not really happy with…this desaturate that I've done on the Open sign.…If I go to the grey out mode, you can…see that the actual lettering itself was never pulled in.…And I was kind of limited…by this selection.…Part of it is because I was using a hue selection in here and I can turn that off.…
Still not pulling it in so I'd have to open up the saturation.…See what's happening is that lettering, the…actual lettering itself has no color so…I've really gotta open up the saturation and grab it and when I do that.…Look at all this other stuff that's coming in.…Now, normally, I would apply a mask and isolate this but I'm already…using the mask in this layer stack. You take a look at this primary here.…I've clicked on the mask, I've applied this mask to that primary layer.…I have no more masks available to me.…
This course was created by Patrick Inhofer and produced by Robbie Carman. We are honored to host this content in our library.
- Understanding the interface and reading scopes
- Getting clips and projects into SpeedGrade
- Understanding the 3-way controls
- Making contrast and color corrections
- Pulling HSL keys
- Making secondary corrections and using custom look layers
- Tracking masks to objects
- Matching shots
- Rendering footage
- Moving timelines between Premiere Pro and SpeedGrade