Join Patrick Inhofer for an in-depth discussion in this video Direct Link vs. Native, part of Up and Running with SpeedGrade CC.
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…One of the first choices you'll need to make when color correcting in Speed…Grade CC, should you work in its Native mode or in Direct Link mode.…Once you make the decision to work one way…or the other, that's it, there is no going back.…A project cannot be converted from Direct Link to Native, or vice versa.…They're quite literally two different file formats.…This movie…will show you the differences between these two modes,…and help you decide which is appropriate for your jobs.…
In practice, making the choice is as simple as closing any open timelines,…which opens this dialog box, and if I create a new .IRCP…project, then I'm working in SpeedGrade's Native mode.…And if I go ahead and randomly add a shot to this timeline and…other movies in this chapter go through this process.…Notice how the sub-panels are accessible to me and allow to me to…make a ton of tweaks to my timeline, individual clips in the timeline.…This includes reconnecting to offline media here in the Reels sub tab.…
Now, I've got an existing IRCP project that I want to show you.…
This course was created by Patrick Inhofer and produced by Robbie Carman. We are honored to host this content in our library.
- Understanding the interface and reading scopes
- Getting clips and projects into SpeedGrade
- Understanding the 3-way controls
- Making contrast and color corrections
- Pulling HSL keys
- Making secondary corrections and using custom look layers
- Tracking masks to objects
- Matching shots
- Rendering footage
- Moving timelines between Premiere Pro and SpeedGrade