Correct log and raw footage SpeedGrade


show more Correcting log and raw footage provides you with in-depth training on Video. Taught by Robbie Carman as part of the Up and Running with SpeedGrade show less
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Correcting log and raw footage

These days as you hear a lot about the digital cinema cameras from Red and from Arri; cameras like the Red One, Scarlet and Epic, as well as the Arri Alexa have defined the high-end production and postproduction markets for the past few years. And in this move, I want to show you the essentials of working with footage from these camera systems. So if you're following along with the exercise files, be sure to go ahead and open up this Timeline called 03_06_loganddraw. This first shot comes from a Red Scarlet camera, and the Scarlet like other Red cameras allows you to shoot RAW. And the biggest benefit of shooting RAW is that you have to all the original sensor data coming off the camera.

So instead of baking in contrast and color you can do things like recover blown out highlights and recover contrast deals that you never thought were possible. Now before we go ahead and actually access the RAW controls for this Red footage, I want to show you a few setup things. Over here...

Correcting log and raw footage
Video duration: 7m 44s 2h 43m Beginner

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Correcting log and raw footage provides you with in-depth training on Video. Taught by Robbie Carman as part of the Up and Running with SpeedGrade

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Video
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SpeedGrade
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