Join Patrick Inhofer for an in-depth discussion in this video Colorist lingo: RAW, LOG, and look-up tables (LUTs), part of Up and Running with SpeedGrade CC.
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In this movie we're going to talk about three different terms, that have…become a big part of the post-production lexicon in the past five years.…What I'm going to try to do is give you a quick overview of each of these terms.…Frankly, each of these terms in themselves could be an entire training series, so I'm…just going to give you some basic definitions…so we're all talking from the same script.…What is RAW? Well when we talk about recording…RAW off of a camera, we talk about…having the tools within a color grading application.…
To access the RAW controls, what we're talking about is a file…format that gives us the signals straight off the camera's imagining sensor.…The whole point is not to burn into these…images, things like exposure and white balance and saturation.…And all these things that would normally be…used to give us a pleasing picture directly at camera record.…You know, you can go straight to air with it.…You can watch it on your home television, and it looks really good.…The whole point is to not do that. The whole point is to give us as much…
This course was created by Patrick Inhofer and produced by Robbie Carman. We are honored to host this content in our library.
- Understanding the interface and reading scopes
- Getting clips and projects into SpeedGrade
- Understanding the 3-way controls
- Making contrast and color corrections
- Pulling HSL keys
- Making secondary corrections and using custom look layers
- Tracking masks to objects
- Matching shots
- Rendering footage
- Moving timelines between Premiere Pro and SpeedGrade