Join Patrick Inhofer for an in-depth discussion in this video Balancing your shots by removing color casts, part of Up and Running with SpeedGrade CC.
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In early movie in this chapter, we took a look at one of…the first things I do when I'm performing my primary color correction which…is expanding out the contrast and setting the end points and the mid…points of where I want the shot to live in terms of brightness.…What we're going to look at in this movie is balancing out a shot.…Perhaps there's a bit of a color cast in there that we want to get rid of.…I'm going to go through the process of how…to do that, because it's something I have to…do all the time not that every shot needs it, but it is something I really need…to know how to do and its something I…do right upfront at the beginning of the process.…
If you have access to the exercise files I have loaded up the EDL death scenes…SpeedGrade CC 23976 and if you need help loading up and connecting these reels.…Check out the earlier movie I did on import EDL.…And what I want to do now is watch this shot down and…see what frame it is I want to look at when I start grading.…And what I'm going to do then is press this button to select…
This course was created by Patrick Inhofer and produced by Robbie Carman. We are honored to host this content in our library.
- Understanding the interface and reading scopes
- Getting clips and projects into SpeedGrade
- Understanding the 3-way controls
- Making contrast and color corrections
- Pulling HSL keys
- Making secondary corrections and using custom look layers
- Tracking masks to objects
- Matching shots
- Rendering footage
- Moving timelines between Premiere Pro and SpeedGrade