- So now I'm going to tie in some of the concepts I've just covered. Chord inversions, and voicings, cadences, and chord progressions. By using one of my own songs as an example, called, "New York, I Love It When You're Mean." The song's in F major, and I'm going to pick it up from the middle of the song. ("New York, I Love It When You're Mean" by Julian Velard) ♫ Some other cities may be easy on the eyes ♫ You see yourself living there, happy till you die ♫ But give it to me real, I don't want to live in a dream ♫ New York, I love it when you're mean ♫ New York, it's exactly as it seems ♫ New York, you don't like it you can leave ♫ New York, don't know what it means ♫ When you're mean to me ♫ (jazzy piano music) You'll see I use deceptive cadences a lot in this song.
And the lick is a perfect example. Let's go through the lick here. It's I, to a iii, to a vi, to a V. Again, I, to a iii, to a vi, to a V. So typically from that V chord, you'll expect me to move to a I, which would be F major. But instead, I'll take the C and I'll move it to a D minor, which makes it a vi, and that's a deceptive cadence right there. Here's a V to a I, but instead, I'm going to go V to vi in the song.
(jazzy piano music) Here, you're going to see a ii-V-I, when I go from G minor, to C, to F. (jazzy piano music) Here's another ii-V, but instead of going to the I, I'm going to go to the vi, another deceptive cadence.
(jazzy piano music) IV, V, to the vi. IV, V, to the vi. You'll take a look at some of the chord voicings I do here, I take a B flat, then I'll go to a C in second inversion and I'll finish with an F, in first inversion.
But I'll build it into the lick. (jazzy piano music) So that's an example of some of the chord progressions, and voicings, and inversions, and cadences that I use in my song, "New York, I Love It When You're Mean."
Author
Released
9/18/2015Professional musician Julian Velard starts the course with the building blocks of harmony: notes, scales, intervals, chords, inversions, and basic chord progressions. He then goes into voice leading—showing how to move from one chord to another by changing just one or two notes—and reviews common song forms, from the familiar verse/chorus/verse of pop to the simple verse of the blues. At the end of each chapter, Julian explains the songwriting techniques shown in the chapter within the context of his own original commercially released songs.
- Understanding scales, intervals, and keys
- Triads or three-note chords
- Triad inversions
- Common major-scale chord progressions and cadences
- Voice leading
- Song form elements such as verse, chorus, bridge, hook, and more
- Using common song forms in songwriting
Skill Level Beginner
Duration
Views
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with David Franz1h 35m Beginner
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Introduction
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Welcome1m 31s
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1. The Building Blocks of Harmony
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The octave4m 12s
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Intervals: Major and perfect7m 20s
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The concept of key3m 12s
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Figuring out intervals6m 33s
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2. Triads and Chord Progressions
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Triads: The basics of chords7m 48s
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Triad inversions6m 40s
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Voicing6m 38s
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Authentic cadences5m 32s
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3. Chord Progressions and Voice Leading
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What is voice leading?5m 28s
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The suspended chord5m 11s
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4. Song Forms
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The importance of song form2m 34s
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Beats, bars, and phrases5m 54s
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The chorus song form element1m 23s
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Verse/chorus/bridge forms1m 19s
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Simple verse form2m 2s
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Verse without chorus form1m 18s
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AABA 32-bar form1m 24s
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Through-composed song forms1m 26s
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Looking at a song's form5m 53s
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Conclusion
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Next steps1m 16s
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Video: Triads, chord progressions, and cadences in a song