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The importance of calibrating displays
- Hi, my name's Rich Harrington. - I'm Robert Karmon. - Welcome to this weeks episode of Video Gear Weekly. Rob, one of the things I find myself going nuts over is the fact that as I move from one computer in the office to another, things look different. Like I could be working in our graphics room and then I jump into an edit suite and it's like, that didn't look like it when I was working in the graphics room and we've got Mac's we've got PC's, we've got televisions, broadcast monitors, it's kind of madening, right? - Seems like you need a little bit of a color management pipeline going on here Rich. - So says the colorist (laughter), yes. If you've ever walked into Best Buy or your local big box retailer when they're selling televisions and it drives you nuts that every TV looks totally different, well this weeks episode is gonna give you some ideas on how to fix that. We're gonna talk today about computer monitors - Yeah. but in the future we'll talk about video sets as well and…
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Contents
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Evaluating the keying footage from a Canon camera5m 34s
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Evaluating the keying footage from a Panasonic Lumix GH43m 7s
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Evaluating the keying footage from a Sony a7S5m 29s
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Blending a key with the background with Light Wrap by Red Giant5m 58s
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Blending a key with the background with Lighwrap by Digital Anarcht3m 39s
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