From the course: Pro Video Tips
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Working with editors during pre-production
From the course: Pro Video Tips
Working with editors during pre-production
- So the biggest piece of advice I would give to anyone considering hiring an editor is to make sure you bring them on board the project before you actually begin shooting. In your initial meeting, you want to discuss shooting formats, frame rates, coverage, special effects, and how you plan to shoot the most crucial or tricky scenes. Make sure you include the DP in these conversations as well, whenever possible. You also want to write up a master list of requirements and notes for yourself on things such as Camera and format recommended, Framing, do you need to leave room for lower thirds or graphics on certain shots? If so, you better mark them on the shot list and make sure the DP knows as well. Camera moves, what are the best speeds or techniques you need to use to get certain results that you want in post? Must get coverage. Are there certain camera angles that you need to get? What are the minimum shots that you're going to need to make each sequence work? Necessary paperwork…
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Contents
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Tips on boosting your production value1m 46s
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Shooting with a shallow depth of field1m 36s
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Great audio and sound design2m 44s
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Keep your shots steady2m 32s
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Keep your camera moving2m 29s
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Location, location, location2m 15s
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Adding appropriate titles and FX1m 56s
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Hiring a colorist3m 38s
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Introduction to shooting discreetly1m 1s
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Scouting locations for a stealth shoot1m 47s
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Traveling and shooting low profile1m 25s
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Recording audio discreetly1m 25s
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Using discreet cameras and camerawork2m 22s
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Running interference1m 24s
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Adding production value with local resources1m 13s
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Always have a plan B55s
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Seven tips for better managing your crew3m 13s
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Get it all on paper first2m 6s
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Learn to delegate2m 12s
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Hiring is half the work2m 53s
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Understand how each person likes to work1m 34s
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Feed them good food31s
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Learn to speak their language1m 55s
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Goodbye1m 35s
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