From the course: Video Gear
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Shooting a black studio
- Let's continue our look at using backdrops. And joining me is Director of Photography, Kevin Bradley. How are you doing Kevin? - Good to be here, Rus. - Thanks. And what we're going to do right now is work with a portable backdrop system. Kevin, what are some reasons to use a portable black backdrop? Have you ever been in the field and needed one of these? - There's a ton of reasons why you would want to use a backdrop like this, as opposed to a big, fabric backdrop. For one thing, when you are going on the road, it makes no sense to carry a huge backdrop, which usually comes in a big bag. It's very very heavy material. And then also you need a support system to support that sort of thing. So what this does is it really splits the difference; it gives you something that's portable, and yet has a decent amount of size to it. So it will actually be a cheap, fast, easy fill-in. - Well, while we go and set this up, we're are going to use the LumaPop from Digital Juice, and we are going…
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Contents
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Evaluating the keying footage from a Canon camera5m 34s
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Evaluating the keying footage from a Panasonic Lumix GH43m 7s
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Evaluating the keying footage from a Sony a7S5m 29s
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Blending a key with the background with Light Wrap by Red Giant5m 58s
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Blending a key with the background with Lighwrap by Digital Anarcht3m 39s
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