From the course: Video Gear
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Shooting with an active adapter and passive adapter
From the course: Video Gear
Shooting with an active adapter and passive adapter
- Rob, you mentioned the ability to actually control. On the back of a lens, there's often connections here. Metal connections that are looking to connect to the camera to pass important information about the lens as well as control the lens. And if those connections aren't made you need manual controls. Now, this Rokinon, it doesn't even have those connections 'cause it's entirely a manual lens. On the other hand, this particular one that I have here, from Olympus, is sort of the best of both. If I connect this to a camera like an Olympus or a Panasonic, those active connections will connect. But, if I put it on something like the Blackmagic and it couldn't see it, I could actually pop that off and go into manual control, in this case, at least for focus. But some systems will take that control, some won't. It really depends on the camera. Now this one has an active Micro Four Thirds Mount, but the big brother of this does not, correct? - That's correct, the original cinema camera…
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Contents
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Evaluating the keying footage from a Canon camera5m 34s
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Evaluating the keying footage from a Panasonic Lumix GH43m 7s
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Evaluating the keying footage from a Sony a7S5m 29s
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Blending a key with the background with Light Wrap by Red Giant5m 58s
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Blending a key with the background with Lighwrap by Digital Anarcht3m 39s
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