From the course: Video Gear
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Evaluating the footage
- We've got a collection of shots from these different lenses and different cameras, just to give you an idea of different configurations. Now this is not a camera comparison here, there was different DPs, I shot some, Rob shot some, some of our crew was shooting, we also had Jim Ball out for one of these shoots, and may have caught Jim on some of our lighting episodes. So there's different stuff here. But let's walk through some of the good and the bad. We have a simple interview here shot in the studio. Now obviously there's nothing for that background to look at but I think one of the things that stands out to me that seems pretty solid is that we've got a good-looking subject here and I kind of like just the overall luminescent quality of the shot. - Yeah, I mean there's some color spill there, some color bounce, could be from the lights that kind of thing, but it strikes me as rather sharp, very contrasty, I mean obviously the black background helps that but if you look at things…
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Contents
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Evaluating the keying footage from a Canon camera5m 34s
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Evaluating the keying footage from a Panasonic Lumix GH43m 7s
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Evaluating the keying footage from a Sony a7S5m 29s
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Blending a key with the background with Light Wrap by Red Giant5m 58s
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Blending a key with the background with Lighwrap by Digital Anarcht3m 39s
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