From the course: Video Gear
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Evaluating the footage
The anamorphic adapters we used on the GoPro cases were really cool. We have some of the footage here that we can take a look at. It looks pretty good but you'll notice that things kind of look a little squished. >> Yeah and that's because it hasn't been interpreted yet. >> Right. >> So one of the things you could do in most NLE's is interpret footage. >> Right. >> And Rob what do we need to do here? >> Well let's go up to the pixel aspect ratio because that's really what. Anamorphic footage is doing it. Squeezing that footage and it needs to be stretched out to an appropriate size later on. >> And you might remember this from the says of DV or formats like DVC Pro, >> Yeah. >> well now, even though that GoPro's a square pixel format, we were shooting and stretching it with that optical lens. So now if I choose that and click OK. Oh, it's really widescreen. >> Yeah, absolutely. >> Now, why don't we put that into a sequence. >> Now it still has some by the way some of that sort of…
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Contents
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Evaluating the keying footage from a Canon camera5m 34s
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Evaluating the keying footage from a Panasonic Lumix GH43m 7s
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Evaluating the keying footage from a Sony a7S5m 29s
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Blending a key with the background with Light Wrap by Red Giant5m 58s
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Blending a key with the background with Lighwrap by Digital Anarcht3m 39s
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