From the course: Video Gear
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Attaching the receiver
- Hey there, I'm Robbie Carman. Welcome back to another episode of Video Gear Weekly. So, Cheryl we've talked about the benefits, sort of some of the drawbacks of a wireless system, now let's put it all together, all right. - (Cheryl) Yeah, it's a little complicated. - (Robbie) Yeah, I mean it's complicated but I mean I think within the realm of reason and that how sort of complicated you get with it really kinda depends on your production, right? - Right. - If you wanna have, hey I'm going to a digital audio recorder and splitting the signal going to a client booth and yada, yada, yada but let's talk about the basics. The first thing, let's kinda talk about the home base. That would be sort of receiver unit and if I wasn't clear before, we got two different units, one's a receiver and the other one is the transmitter. Where does the receiver usually go? - The receiver usually goes near where your actually recording the audio on the camera or near the field mixer. - (Robbie) Right…
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Contents
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Evaluating the keying footage from a Canon camera5m 34s
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Evaluating the keying footage from a Panasonic Lumix GH43m 7s
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Evaluating the keying footage from a Sony a7S5m 29s
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Blending a key with the background with Light Wrap by Red Giant5m 58s
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Blending a key with the background with Lighwrap by Digital Anarcht3m 39s
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