From the course: Video Gear
Unlock the full course today
Join today to access over 22,600 courses taught by industry experts or purchase this course individually.
Adjusting the Speed of Movement
- Ok Rich, so we got the one man crew set up on our tripod. And we've used the lasers to sort of optimize sort of, the arc of the parabolic slider. Next thing we need to do is actually turn it on, but when we turn it on we also need to calibrate its motion. - Yeah, now why don't you start off by getting the shot framed up. - Sure, easy enough. - And you want to do this before you actually start to move things. Because if the camera is moving side to side and you start cranking on this, you're gonna apply pressure to the motor and that could damage it. Rob's just using this and it basically has a tilt head and he's adjusting the shot. I recommend considering a zoom lens here. So you can really quickly compose the shot because you don't really have the flexibility to move this in and out. - You bring up a really good point. This is motorized and would just be like you kind of put force on the motor in your car by putting your hands inside the engine. That's probably a bad idea. -…
Download courses and learn on the go
Watch courses on your mobile device without an internet connection. Download courses using your iOS or Android LinkedIn Learning app.
Contents
-
-
(Locked)
Making killer backgrounds for greenscreen46s
-
(Locked)
Shooting defocused still plates3m 5s
-
(Locked)
Shooting defocused video plates2m 56s
-
Defocusing backgrounds in Photoshop CC5m 12s
-
(Locked)
Shoot plates with a light field camera3m 23s
-
(Locked)
Post-processing a light field camera6m 41s
-
(Locked)
Gear overview4m 15s
-
(Locked)
-
-
(Locked)
Evaluating the keying footage from a Canon camera5m 34s
-
(Locked)
Evaluating the keying footage from a Panasonic Lumix GH43m 7s
-
(Locked)
Evaluating the keying footage from a Sony a7S5m 29s
-
Blending a key with the background with Light Wrap by Red Giant5m 58s
-
(Locked)
Blending a key with the background with Lighwrap by Digital Anarcht3m 39s
-
(Locked)
-
-
(Locked)
Improving the quality of greenscreen shots40s
-
(Locked)
Using a hard cyc greenscreen backdrop2m 51s
-
Studio lighting for greenscreen projects3m
-
(Locked)
Testing the backdrop with a monitor2m 23s
-
(Locked)
Testing the backdrop onset3m 15s
-
(Locked)
Shooting in portrait mode2m 29s
-
(Locked)
Gear overview6m 59s
-
(Locked)
-
-
(Locked)
Creating affordable textured backdrop with lights32s
-
(Locked)
It’s all about creating patterns1m 19s
-
Creating a hand-cut gobo2m 35s
-
(Locked)
Using a pattern backdrop1m 48s
-
(Locked)
Creating a gobo with a transparency projector2m 1s
-
(Locked)
Using a projector to create custom backdrops2m 55s
-
(Locked)
-
-
(Locked)
The challenges of powering the GoPro HERO42m 56s
-
(Locked)
Battery options for the GoPro HERO44m 15s
-
(Locked)
Which battery runs the longest in the GoPro HERO4?4m 42s
-
(Locked)
Which GoPro HERO4 battery charges the fastest?5m 6s
-
(Locked)
The form factor and price of GoPro HERO4 batteries4m 46s
-
(Locked)
The winning battery2m 47s
-
(Locked)