From the course: Video Gear
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Adapting a tripod to hold multiple cameras
>> Well, Rob, we're on location. >> Yep. >> And one of the challenges in this shooting environment is there's going to be a class going on, and I'm not always going to have the flexibility to be running around and getting different gear. >> Well yeah, because, you know, you don't want to sort of, interrupt what's going on. You as the camera person, are best left when you're kind of invisible and behind the scenes in a situation like this. You don't want the students of this class to be like, what is he doing exactly? So, in those situations, yeah, you don't want to be running around, you don't want to be moving gear. You want to have sort of a stable, kind of left alone setup. >> So, one thing that I sort of built, because I was traveling a lot, was the camera rail system. >> Yeah. >> And so, I take a bar like this. This one's from Really Right Stuff. >> Yep. >> Other people make them. And it basically fits into the Arca-Swiss Mount. >> Yeah, and this is really cool. Because what it's…
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Contents
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Evaluating the keying footage from a Canon camera5m 34s
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Evaluating the keying footage from a Panasonic Lumix GH43m 7s
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Evaluating the keying footage from a Sony a7S5m 29s
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Blending a key with the background with Light Wrap by Red Giant5m 58s
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Blending a key with the background with Lighwrap by Digital Anarcht3m 39s
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