Remember how I said a De-Esser was a frequency-specific compressor, working only…on the sibilant sounds within a track or mix?…Well a multiband compressor follows the same idea, but works across the…entire frequency range.…By splitting up the compression into multiple parts or bands, an engineer can…focus dynamic control within a specified frequency range, leaving other…frequencies untouched or being compressed separately.…An example in mastering where I would use a multiband compressor would be, let's…say, the finished mix had a bit too much dynamics in the low-end, but the rest of…the mix sounded fine, so that is to say, maybe not enough compression was added…to the bass guitar or the kick drum, that note for note, the level of the…low-end is kind of floating around.…
Now typically, we'd want to address this at the mix stage by adding more…compression to the bass instrument,…but if we've gotten to mastering and we have no other choice, we can take and…use a multiband compressor and simply focus on the low frequencies of the…
Author
Updated
2/12/2014Released
3/30/2012- What is mixing? Exploring the past, present, and future
- Mixing "in the box"
- Setting up monitors and ensuring proper acoustics in the studio
- Staying organized with labels, memory locations, and window configurations
- Working with the Pro Tools Mixer
- Building healthy and profitable mixing habits when putting together a final mix
- Using volume and pan to balance the mix
- Employing corrective versus creative EQ strategies to create clarity and contrast
- Knowing when and when not to process the audio of a track
- Working with compressors and dynamics processors
- Using saturation effects to capture an analog-type sound
- Adding reverb and delay to create depth in a mix
- Working with limiting and multiband compression during the mastering process
- Dealing with plug-in delay and latency in a mix
- Using the bundled plug-ins in Pro Tools to add clarity, punch, and width to a mix
- Recording and editing automation to add drama and excitement
- Using clip based gain to control headroom and gain staging
Skill Level Intermediate
Duration
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Q: This course was updated on 2/12/2014. What changed?
A: This update includes one additional chapter that covers the latest features in Pro Tools 11, including 64-bit plugins, advanced metering options, mixing shortcuts, and offline bouncing.
Related Courses
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Audio Mixing Bootcamp
with Bobby Owsinski8h 53m Beginner -
Pro Tools 10 Essential Training
with David Franz8h 54m Beginner
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Introduction
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Welcome1m 11s
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Using the exercise files1m 17s
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1. Preparing to Mix
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Mixing "in the box"4m 45s
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2. Working with the Pro Tools Mixer
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Using inserts and plug-ins8m 54s
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Using groups while mixing5m 32s
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3. Mixing Tools and Strategies
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4. Understanding and Using EQ (Equalization)
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Using DigiRack EQ 36m 42s
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5. Understanding and Using Dynamics Processors
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Using gates and expanders8m 26s
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Using Avid Channel Strip7m 26s
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6. Mixing with Reverb, Delay, and Other Time-Based Effects
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Exploring DigiRack D-Verb15m 48s
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Using the DigiRack delays11m 10s
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Mixing with reverb11m 28s
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Mixing with delays10m 40s
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7. Introducing the Pro Tools Creative Collection
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8. Automating the Mix
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Understanding automation4m 10s
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Viewing and editing automation13m 12s
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Using clip gain9m 59s
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Automating plug-ins9m 34s
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9. Putting It All Together
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Avoiding common pitfalls10m 59s
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10. Mastering in Pro Tools
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Understanding mastering5m 13s
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Bouncing the mix8m 4s
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11. Additional Topics
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Setting up side-chains7m 27s
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Master bus processing11m 6s
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Creating and using mix templates10m 35s
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Drum sample replacing12m 59s
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12. Pro Tools 11 Addendum
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Conclusion
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Video: Working with multiband compression