Unlike setting up Outputs, you are much less likely to have need for too many…multichannel Inputs.…There are a few exceptions.…If you are doing a recording session with strings or other instruments in a…studio or a hall, where you can record hard Inputs, such as a Decca Tree of left…center and right, and a couple of outrigger mics for surround, then you may want…to record these as a multichannel track.…You might also want to do a live mix using a 4.0, 5.0, or a 5.1 configuration.…
But the most prevalent reason for setting up multichannel input tracks is for mixing.…Whether you are using a console or two systems, you will need inputs to the Pro…Tools system that will record the mix.…Let's go to the I/O Setup and choose Input.…There are some default Inputs let's get rid of.…And let's create a New Path.…We will do the same thing as we do with the Output Paths.…Choose the number of channels first and then select the Inputs of the interface.…You can also create Sub-Paths in much the same manner that you do with the Output Setup.…
Author
Released
5/25/2010- Importing and displaying video for scoring
- Setting up inputs and outputs
- Working with picture sessions and OMFs
- Importing MIDI data such as tempo and meter maps
- Matching tempo and beats to existing music
- Using Elastic Audio
- Printing guide stems from cue sessions for use in live recording
- Exploring Pull Up and Pull Down
- Multitrack recording
- Mixing tracks
- Preparing for final dubbing
Skill Level Intermediate
Duration
Views
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Pro Tools: Audio for Film and Video
with Scott Hirsch5h 9m Intermediate
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Introduction
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Welcome55s
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1. New Session Basics
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2. Using QuickTime Video
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Using FireWire output1m 32s
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3. I/O Setup
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Setting output paths3m 6s
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Setting input paths2m 2s
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Setting insert paths2m 9s
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Setting bus paths1m 40s
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4. Picture Sessions
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Sharing picture sessions3m 44s
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Working with OMFs2m 34s
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Slaving picture sessions2m 46s
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5. MIDI-Based Sessions
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Beginning a MIDI cue4m 58s
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Importing data3m 51s
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6. MIDI Functions
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Tempo mapping to picture6m 24s
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Matching existing tempos8m 2s
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Using Elastic Audio5m 44s
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7. Advanced QuickTime Functions
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Using multiple clips5m 48s
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Bouncing QT clips4m 8s
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8. Session Preparation
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9. Advanced Session Setup
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Locking and clocking3m 9s
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Exploring pull up/pull down3m 35s
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10. Multitrack Recording
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Creating a template3m 54s
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Creating a live mix6m 1s
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11. Mixing in Pro Tools
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Creating the mix I/O3m 58s
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Setting signal flow6m 3s
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Naming and printing4m 40s
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12. Final Dub Preparation
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Making a headphone bus2m 58s
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Using pull up/pull down4m 44s
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Conclusion
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Goodbye10s
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Video: Setting input paths