In this video, I'm going to show you the steps involved in recording audio into Pro Tools. I'll start from the very beginning, as if I'm coming to Pro Tools with a brand new song idea. First we need to create a new session, so I'll go to File > New Session, and we could start with the session from a template if we wanted. But I'm actually going to go to a blank session. So I'll choose WAV as my audio file type, I'm going to choose 16 bit and 44.1 kHz as the sampling rate, and I'll use my last used I/O settings.
I'm going to name this. I'm actually saving this to the desktop, but usually I would save this to an external FireWire hard drive, but the desktop is fine just for this initial idea right now. So here we have the Edit window completely blank with no tracks, so I'm going to create a new track. And I'm going to be recording an acoustic guitar, so I'm just going to create 1 new mono audio track, make it larger by going to the bottom of the track here, and you see the icon for the cursor is this double-arrow.
If I click and drag, we can make it taller. While I'm here, I'm going to double- click the track name and change it to Ac Gtr so that now when I start recording, the audio files will actually be called Ac Gtr, as opposed to Audio 1. Once I've created my track, I need to plug in my instrument into the interface, which in this case is the back of a 003, and I'll be going into the DI input. If you're recording with a microphone, obviously you go into the microphone input here.
The next step for me is choosing the proper input type on the 003 itself. So I'm going to press the Mic/DI button to toggle the input to the DI setting, which is the one with the light illuminated. That tells the 003 what type of input signal to expect. You may have a different process for this for your interface. Now back in Pro Tools, I want to check out that this track is set up for the right input and output. So I'm going to choose the I/O on this track, and check that we're plugged into the Analog 1 input path.
So I've plugged into the Input 1 of the 003 and that is the same input as Analog 1 shown here in Pro Tools. And the default output, Analog 1-2, is the one that will be going to my monitors and my headphones, so that's totally fine. And again, if you don't see this I/O section on the track, you can go over to this button right here and choose it, or you can go up to View > Edit Window Views, and choose I/O. The next step is that I want to go and check our hardware buffer size.
So I'm going to go up to Setup > Playback Engine, and the hardware buffer size, I want make as small as possible. In this case, I can make it 32 Samples. It's a very short amount of time. And what that does is reduce the amount of latency that happens when I'm recording. For those of you recording into a USB- powered interface like an Mbox 3, you should turn the mix knob all the way to the left to the input side to achieve zero latency monitoring. On some third-party USB devices, this mix control is software-driven.
In that case, go to the Setup > Hardware, and click on the Launch Setup App button to adjust the mix level. Pro Tools users with FireWire interfaces like the 003, which is what I'm using here, can actually choose Low Latency Monitoring from the Options menu. This will reduce the latency to the least amount that you can possibly have while using one of these types of interfaces. Now I'm going to cover latency in much more detail in another video in this course.
The next step is to choose the monitoring mode, and we can choose that from the Track menu. There are two options. We have Input Only Monitoring and Auto Input Monitoring. The one that you see here is not the one that is active. It's a little confusing, but if we choose this one now, Input Only Monitoring will be active and you can see that indicated right here. That's the one that we actually want to be active at the moment. We don't want Auto Input Monitoring active, so we're going to just get away from that and not choose it.
It's a little confusing, for sure, but we can at least check this over here and know which status we're in. So we're in Input Only Monitoring. I'm going to talk in much more detail about the monitoring modes in another video in this course. But for this particular purpose, let's keep it in Input Only Monitoring mode. So we're almost ready to record. The next step is to actually record enable the track. So we go over to the Record button, and we hit the red Record button. Now we need to adjust our input level.
So we need to set our recording level and that means that you need to start playing or singing into the microphone to see how loud your signal is. (Music Playing) All right! That seems like a pretty good level. We don't want to peak it out and we don't want it to be too soft. If you need to, adjust the gain knob, turning it up or down for the input level on the track on your interface. So the last step now is to actually record. So let's go over to the Record button, click that, and then I'll hit the Play button and Pro Tools will start recording.
When you're done, you can hit the Stop button or press the spacebar. (Music Playing) Well, it wasn't the perfect take, but it'll do as a rough idea. Now this may seem like a lot of steps just to start recording. However, these steps will become second nature to you very quickly and you'll be able to record into Pro Tools within just a minute of launching the program.
Author
Released
1/20/2012- Exploring the Pro Tools interface
- Selecting inputs, outputs, and busses
- Understanding signal paths and gain stages
- Setting up Pro Tools hardware and software properly
- Importing audio from multiple sources
- Recording and editing audio and MIDI
- Adjusting time, tempo, meter, key, and chord in arrangements
- Mixing and mastering a session
- Setting up an effects loop
- Importing and displaying video
- Adding music, Foley, ADR, and FX
- Archiving a session
Skill Level Beginner
Duration
Views
Related Courses
-
Pro Tools: Audio for Film and Video
with Scott Hirsch5h 9m Intermediate -
Audio Mixing Bootcamp
with Bobby Owsinski8h 53m Beginner -
Pro Tools: Mixing and Mastering
with Brian Lee White10h 32m Intermediate
-
Introduction
-
Welcome1m 16s
-
Troubleshooting2m 19s
-
Using the exercise files2m 25s
-
-
1. Getting Started
-
Creating a Pro Tools session4m 31s
-
Creating new tracks3m 58s
-
2. Learning the Interface
-
Exploring the Edit window6m 44s
-
Exploring the Mix window3m 11s
-
Investigating the menus3m 22s
-
-
3. Importing
-
Importing MIDI2m 48s
-
Importing session data5m 34s
-
Importing tracks from a CD2m 51s
-
Importing video2m 44s
-
4. Recording Audio
-
Recording audio6m 13s
-
Creating a click track5m 24s
-
Dealing with latency and ADC4m 58s
-
Creating a group6m 5s
-
Assigning disk allocation2m 17s
-
-
5. Editing Audio
-
Using the Pencil tool3m 10s
-
Using the Smart tool1m 27s
-
Understanding the Edit modes5m 51s
-
Arranging clips6m 40s
-
Undoing an edit2m 44s
-
Locking and muting clips2m 48s
-
Special Edit window buttons7m 15s
-
Creating an audio loop5m 19s
-
Editing a voiceover9m 41s
-
6. Arranging a Session
-
Working with clip groups4m 33s
-
Creating memory locations7m 11s
-
-
7. Recording MIDI Data
-
Setting up MIDI on a Mac4m 17s
-
Setting up MIDI on a PC2m 14s
-
Setting up MIDI in Pro Tools2m 44s
-
Recording MIDI data3m 14s
-
Recording options for MIDI6m 21s
-
Using Step Input4m 35s
-
-
8. Editing MIDI
-
Quantizing MIDI tracks12m 16s
-
Using MIDI Learn5m 4s
-
9. Scoring
-
Exploring the Score Editor5m 49s
-
Using the Score Editor5m 5s
-
Setting up a score4m 48s
-
-
10. Automation
-
11. Mixing and Mastering
-
Setting up an effects loop9m 30s
-
Working with plug-ins4m 33s
-
Applying EQ12m 43s
-
Adding compression and limiting14m 25s
-
Using delay effects6m 52s
-
Applying AudioSuite plug-ins6m 24s
-
Adding reverb to your mix6m 50s
-
Bouncing down a mix4m 15s
-
Mastering a session10m 37s
-
12. Working with Video
-
13. Archiving
-
Conclusion
- Mark as unwatched
- Mark all as unwatched
Are you sure you want to mark all the videos in this course as unwatched?
This will not affect your course history, your reports, or your certificates of completion for this course.
CancelTake notes with your new membership!
Type in the entry box, then click Enter to save your note.
1:30Press on any video thumbnail to jump immediately to the timecode shown.
Notes are saved with you account but can also be exported as plain text, MS Word, PDF, Google Doc, or Evernote.
Share this video
Embed this video
Video: Recording audio