From the course: Pro Tools: Audio for Film and Video

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Recording ADR and editing with VocALign LE

Recording ADR and editing with VocALign LE - Pro Tools Tutorial

From the course: Pro Tools: Audio for Film and Video

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Recording ADR and editing with VocALign LE

Once you have your automated dialogue replacement or ADR recorded, you might not be able to decide the best take until you hear it with the rest of the sound design. This is why it's important to use dummy regions in your original record session and always record at the same start point. By doing this you ensure that you can use matching takes as you bring them into your final session and you can audition all the takes you have and find out which one works the best. While you're editing you also might want to lay in tone underneath the ADR so it fits with the rest of the scene. As you can see here in this session I've got our original guide track up top, DX 1. That's what we're replacing. Let's take a listen to that and just hear why we might want to replace it. So I am going to solo that track. (Women speaking: 230 StarLight Road?) So you can hear the line is 230 Starlight Road and the actress actually said it very quietly and there happens to be a bit of noise, so that's a prime…

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