Understanding time code has been made quite complicated over the years.…Many people confuse time code with other aspects of synchronization.…Simply put, time code is a series of addresses, just like your street address…and your neighbor's.…Time code in and of itself has nothing to do with speed.…Time code is a positional reference.…It tells you where you are, it tells other machines where you are, and it can be…read from other machines to know where they are at any moment in time.…
There are several different time code formats to choose from.…Basically they are all different ways of dividing time into hours, minutes,…seconds, frames, and subframes, which are a one one-hundredth of a frame.…SMPTE time code is counted in 30 frames per second.…This is used for audio only applications.…SMPTE time code can also be counted in 29.97 frames per second.…This is used in U.S. standard video applications.…The explanation is long, boring, and stupid, but the short explanation is that…when color television was invented, the frame rate was slowed down, and we have…
Author
Released
5/25/2010- Importing and displaying video for scoring
- Setting up inputs and outputs
- Working with picture sessions and OMFs
- Importing MIDI data such as tempo and meter maps
- Matching tempo and beats to existing music
- Using Elastic Audio
- Printing guide stems from cue sessions for use in live recording
- Exploring Pull Up and Pull Down
- Multitrack recording
- Mixing tracks
- Preparing for final dubbing
Skill Level Intermediate
Duration
Views
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Pro Tools: Audio for Film and Video
with Scott Hirsch5h 9m Intermediate
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Introduction
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Welcome55s
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1. New Session Basics
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2. Using QuickTime Video
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Using FireWire output1m 32s
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3. I/O Setup
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Setting output paths3m 6s
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Setting input paths2m 2s
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Setting insert paths2m 9s
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Setting bus paths1m 40s
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4. Picture Sessions
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Sharing picture sessions3m 44s
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Working with OMFs2m 34s
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Slaving picture sessions2m 46s
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5. MIDI-Based Sessions
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Beginning a MIDI cue4m 58s
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Importing data3m 51s
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6. MIDI Functions
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Tempo mapping to picture6m 24s
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Matching existing tempos8m 2s
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Using Elastic Audio5m 44s
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7. Advanced QuickTime Functions
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Using multiple clips5m 48s
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Bouncing QT clips4m 8s
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8. Session Preparation
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9. Advanced Session Setup
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Locking and clocking3m 9s
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Exploring pull up/pull down3m 35s
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10. Multitrack Recording
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Creating a template3m 54s
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Creating a live mix6m 1s
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11. Mixing in Pro Tools
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Creating the mix I/O3m 58s
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Setting signal flow6m 3s
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Naming and printing4m 40s
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12. Final Dub Preparation
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Making a headphone bus2m 58s
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Using pull up/pull down4m 44s
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Conclusion
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Goodbye10s
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Video: Choosing the appropriate timecode settings