Join Maxim Jago for an in-depth discussion in this video Working with multiformat media, part of EPK Editing: 1 Ingest to Assembly Edit.
When you're working with multiple camera sources…and you're producing content for multiple…distribution mediums, it's quite common to have…a number of different media formats to deal with.…Now, historically, this was a bit of a problem,…but the good news is, if you're working in the world…of Adobe, it's now extremely straightforward.…In fact, there's probably just one "gotcha" that…I want to share with you.…So here, in our exercise files folder, I've got a folder…called media, and inside of here, I've got a bunch…of different content, but I want to draw your attention…to this multi-format media folder, where I've…pre-prepared a number of different file types…to just walk you through this workflow.…
Now, in the case of this particular content,…I've recompressed everything down to smaller…image size, and a standard H264 Kodak,…just because it makes it easier for you…to download the files, but it's very, very common…for this kind of project to receive maybe some…DSLR media, maybe you have some on camera stuff…that could be uncompressed, it could be raw,…
Stay tuned for future courses in the series, which will cover the other steps in the workflow, all the way up to the finished music video.
- Keeping media organized
- Ingesting media
- Transcoding on ingest
- Adding metadata like comments and other tags to your clips
- Producing an assembly edit