Join Luisa Winters for an in-depth discussion in this video What you should know before watching this course, part of Premiere Pro Guru: Audio Finishing Techniques.
- In this title, I assume you know how to perform basic editing tasks and that you are familiar with the editing tools and workspaces available in Premiere Pro. This will cover all your finishing techniques, and we will assume that you're familiar with the basic tasks necessary in Premiere for editing and saving and exporting your project. There's also one more thing to discuss, and that is the monitoring of your audio. The same way that you should have a well-balanced monitor for color correction, you should have a good and accurate way of listening to your audio. Let's start with speakers. If you're using a laptop, generally speaking, the speakers built in a laptop are just not accurate enough. What you need are speakers that are capable of reproducing all the necessary frequencies. And that translates to full range speakers. You could add a subwoofer to help you with this or use good full range headphones. You should also have a way to listen to your audio that is flat or neutral. In other words, a way of listening to your audio that will be faithful to what the audio really is, not changed or enhanced by the speakers or headphones themselves. I'm sure that you have heard of speakers and headphones that enhance the bass. What this means is that they're not flat and that they are changing the audio that is being reproduced by your program. This will affect the way you process and will result in less than optimal audio. Look at it this way. When it comes to listening to your audio, you're looking for what really is being reproduced by your program, nothing added, nothing taken away, so that you can create a better output. Lastly, the appearance of my desktop and my application may be a little different than what you see in yours. This is because I need to record a specific resolution, and your system may be working with a different resolution. But even if our interfaces look a little bit different, you'll still be able to follow along without any problems.
Author
Released
11/5/2020This course was created by Rhed Pixel. We are pleased to offer this training in our library.
Skill Level Intermediate
Duration
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Premiere Pro Guru: Understanding Video Compression
with Luisa Winters1h 39m Intermediate -
Premiere Pro Guru: Mixing Audio Clips and Tracks
with Luisa Winters3h 53m Intermediate
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Introduction
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Using the exercise files1m 46s
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1. Working in Collaboration
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Track organization5m 31s
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2. Track and Clip Levels
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Adding clip effects3m 14s
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3. Using the Audio Clip and Track Mixers
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Overview of the Track Mixer3m 23s
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Using track effects1m 55s
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4. Essential Sound Panel in Premiere Pro
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Audio types3m 9s
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Audio levels3m 45s
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Repair audio4m 8s
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Audio clarity4m 32s
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Duration1m 43s
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Automatic ducking4m 54s
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Reverberation1m 50s
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Using presets3m 11s
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5. Essential Sound Panel
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Compression using Dynamics8m 21s
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Limitting5m 32s
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Adjusting gain4m 35s
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Normalizing2m 47s
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EQ6m 20s
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De-esser3m 52s
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6. Restorative Techniques with Audition
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Fixing plosives7m 44s
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Noise reduction5m 46s
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Healing audio4m 17s
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Speed changes4m 37s
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Matching volume5m 29s
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7. Audio Legalization
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Loudness monitoring8m 17s
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Level QC2m 44s
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8. Output
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Creating stems with submixes6m 53s
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Creating stems by muting1m 56s
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Conclusion
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Goodbye58s
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Video: What you should know before watching this course