From the course: Premiere Pro Guru: Mixing Audio Clips and Tracks
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Understanding automation modes, part 2: Read, write, touch, and latch - Premiere Pro Tutorial
From the course: Premiere Pro Guru: Mixing Audio Clips and Tracks
Understanding automation modes, part 2: Read, write, touch, and latch
- Now, there are other automation modes. Now let's go to Latch. We saw that Write actually wrote down everything that I did, keyframe wise. So if I raised the volume it wrote keyframes and if I lowered the volume it also created keyframes. Look what happens with Latch. If I lower the volume indeed it gets lower, but the moment I let the slider go it's going to stay where it was. In other words, it latches to whatever value I left the slider on, and the keyframes actually show that. Of course we have the dual keyframe thing that Premiere adds and you can either delete the bottom one, or the top one, or leave it as it is if that's what you want. Now, notice that inbetween this keyframe here and this keyframe here, we have a straight line, because that was the point in time where I wasn't clicking anymore. So that's Latch, basically the value at which you leave the slider latches on to whatever value that was. If I undo, it goes back to the original. We can now change to Touch. How Touch…
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Contents
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Understanding audio meters, dynamic range, and clipping5m 5s
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Adjusting levels in the Timeline4m 9s
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Adding keyframes9m 59s
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Understanding audio transitions8m 34s
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Audio clip and track mixer: What's the difference?5m 52s
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Understanding automation modes, part 1: Read, write, touch, and latch5m 11s
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Understanding automation modes, part 2: Read, write, touch, and latch5m 18s
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What are submixes and why should I use them?6m 38s
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