From the course: Premiere Pro Guru: Mixing Audio Clips and Tracks
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Understanding audio meters, dynamic range, and clipping - Premiere Pro Tutorial
From the course: Premiere Pro Guru: Mixing Audio Clips and Tracks
Understanding audio meters, dynamic range, and clipping
- You need to constantly monitor how loud your audio is, not only to maintain uniformity but also to make sure that your audio does not clip. If the audio is so loud that the media cannot reproduce it, the result sounds distorted and that's not good. Also all audio material has a dynamic range Dynamic range is the difference between the loudest part and the softest part of your audio. And it is measured in decibels. Depending on which genre of audio you're working with, you need to have a wider or narrower dynamic range. Classical music and jazz, for example, have a much wider dynamic range than pop or rock. By the same token, a narration will have a very narrow dynamic range. Let's go ahead and open Sequence 2.1. Again, let's go to the project panel, open sequences, and let's just open 2.1. Now I would like to loop this playback and just like what we did with the source panel, let's go ahead and do it with the program panel. Click on the button editor icon. This is this little plus…
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Contents
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Understanding audio meters, dynamic range, and clipping5m 5s
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Adjusting levels in the Timeline4m 9s
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Adding keyframes9m 59s
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Understanding audio transitions8m 34s
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Audio clip and track mixer: What's the difference?5m 52s
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Understanding automation modes, part 1: Read, write, touch, and latch5m 11s
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Understanding automation modes, part 2: Read, write, touch, and latch5m 18s
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What are submixes and why should I use them?6m 38s
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