Join Jason Osder for an in-depth discussion in this video Tips for working with interviews, part of Documentary Editing with Premiere Pro.
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Once we've identified some messaging concepts, we put those concepts into play in the way…that we produce a video.…Now in this case, the video's already have been shot, and we're entering in at the editing…stage, but I still want to pause and look at some quality of the interviews that were…created just to create some tips and pointers for when you're out there shooting videos yourself.…I'm in Premiere here, but I want to switch over to my workspace for Metalogging, and…this is actually one of my favorite things about Premiere.…
As we have a Metalogging setup that lets us navigate our media very easily, and we can…open it directly off of the drive, meaning there is no need to bring it into the project.…If our goal is just to review--as it is now-- we can actually do that right inside the media…browser without actually creating any clips yet to edit with. We'll do that later.…So here I am at my interviews, and I'm going to make some space here so I can see their full names.…
Those are the interviews I have to work with, and I'm going to start opening them one by one…
This course is part of a series that looks at Documentary Editing from the point of view of 3 different editors in 3 different editing applications. For more insight on editing documentary projects, take a look at Documentary Editing with Avid Media Composer and Documentary Editing with Final Cut Pro X.
- Interpreting a creative brief
- Logging interviews and other footage
- Pulling selects and presenting ideas
- Building sequences and scenes
- Creating title graphics
- Animating images
- Adjusting b-roll shots
- Tightening clip timing
- Compressing and exporting multiple files