From the course: Multi-Camera Video Production and Post
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Syncing cameras visually
From the course: Multi-Camera Video Production and Post
Syncing cameras visually
This is 03_05 Syncing Cameras Visually. Take one, marker. (sharp clap) - So what you just saw there was something that usually gets cut out of the production, but it's a very important part, particularly with multi-camera. We had both an audio and a visual sync point there. Now Jim, tell us a little bit about slates. What's the whole idea here? Why do we use them? - Well when we didn't have all the high-tech stuff to sync cameras like Timecode, we had to use very mechanical, very home-grown types of methods of doing it, which was a picture and a noise. (clap) Okay, so very, very distinct sharp moments on both tracks that you could combine later on. - Alright, this is the smoothie segment, scene one, take two, marker. (sharp clap) - So because this is fairly low tech, you want to make sure you do it right, because there is no computer that's going to save you later on and match it up automatically. You want to make sure you get this very simple action correct, so it just makes it…
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Contents
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Aesthetic matching of cameras5m 29s
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Technical matching of cameras5m 48s
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Color and calibration tools9m 51s
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Syncing cameras with timecode4m 49s
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Syncing cameras visually6m 13s
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Syncing cameras with audio4m 46s
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Adding insert angles with action cameras7m 24s
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