From the course: Premiere Pro Guru: Working with Audio
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Submixes for routing and stem mixing - Premiere Pro Tutorial
From the course: Premiere Pro Guru: Working with Audio
Submixes for routing and stem mixing
- We've gone through the effort of keeping tracks organized, and being able to keep things grouped by the subject matter. Submixes are going to come in handy for all sorts of things. We've already talked about making quick adjustments, or being able to control where things go. One thing that you do a lot of Cheryl is prepare things for final delivery for broadcast. And I have to imagine that each TV network has some pretty stringent standards about how they want tracks laid out. - Oh yes. We have to be very careful about that Rich, really do. And the first step is really understanding what submixes are, and how you can manipulate them to help you with your mix. Since you already have your session, or your timeline, organized between VO, dialog, nats, music, and sound effects, the next logical step is to feed all those to its perspective sub bus. And that sub bus then goes to the master. So, the narration will go to the narration bus, the dialog will go to the dialog bus, and so on…
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