If you're like a lot of busy editors and post professionals, sometimes there just isn't enough time in the day to do everything. Knowing when to hand off a project or bring in additional help is just as important as doing the best work you can do on your own. In this video, learn about when to hand off projects to another audio mixer.
- Should you hand your project over to someone else? … Wow, what a question to ask someone … who is watching this title to learn … how to do it themselves. … Why should you hand this over? … Your baby, your work, your blood, sweat, and tears. … Well, the answer is simple. Time. … As video editors, we have a lot on our plates. … We edit, we color-correct, create composites, … multi-camera, motion graphics, subtitles, … and closed captions, and many other things. … Maybe, just maybe, handing this particular project … over to someone else, someone who only does audio finishing, … might be a good idea, … even if it's only to speed up your output. … So if you decide that for a particular project, … it might be a good idea to hand it over, … then you need to know how to do so. … And that's what this chapter is all about. … We'll cover exporting OMFs, … individual audio tracks, and video reference files. … We will also learn how to get organized … and best practices. … Of course, once we're done …
Author
Released
11/5/2020This course was created by Rhed Pixel. We are pleased to offer this training in our library.
Skill Level Intermediate
Duration
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Premiere Pro Guru: Mixing Audio Clips and Tracks
with Luisa Winters3h 53m Intermediate
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Introduction
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Using the exercise files1m 46s
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1. Working in Collaboration
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Track organization5m 31s
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2. Track and Clip Levels
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Adding clip effects3m 14s
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3. Using the Audio Clip and Track Mixers
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Overview of the Track Mixer3m 23s
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Using track effects1m 55s
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4. Essential Sound Panel in Premiere Pro
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Audio types3m 9s
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Audio levels3m 45s
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Repair audio4m 8s
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Audio clarity4m 32s
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Duration1m 43s
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Automatic ducking4m 54s
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Reverberation1m 50s
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Using presets3m 11s
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5. Essential Sound Panel
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Compression using Dynamics8m 21s
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Limitting5m 32s
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Adjusting gain4m 35s
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Normalizing2m 47s
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EQ6m 20s
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De-esser3m 52s
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6. Restorative Techniques with Audition
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Fixing plosives7m 44s
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Noise reduction5m 46s
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Healing audio4m 17s
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Speed changes4m 37s
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Matching volume5m 29s
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7. Audio Legalization
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Loudness monitoring8m 17s
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Level QC2m 44s
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8. Output
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Creating stems with submixes6m 53s
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Creating stems by muting1m 56s
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Conclusion
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Goodbye58s
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