Once you have shot your raw or log media and have it transferred from the memory cards to a safe location, it is now time to start post-production. One of the editing applications on the market is Adobe Premiere Pro. Richard Harrington and Robbie Carman demonstrate how to move raw and log material from Premiere Pro to After Effects.
- One of the best parts about Adobe Premiere Pro…is it's deep relationship with Adobe AfterEffects.…So if you're going to be doing motion graphics…or visual effects, it's sometimes as easy…as copying and pasting between the two applications.…Now, there's been a lot of effort made…that the lumetri Effect will move smoothly across.…So, let's explore what happens when we move…some Raw footage, and some Log footage,…between Premiere and AfterEffects.…How to make sure that any choices we made travel with.…- [Rich] Alright Rob, I've launched AfterEffects,…and a lot of folks don't realize that AfterEffects…does actually now have a media browser,…so in the past you had the ability to copy and paste…media from Premiere to AfterEffects,…and that would work.…
So for example, if I just needed…to bring something over from Premiere,…I could select one of those clips and say, copy,…and then switch on over to AfterEffects, and click…on the Project Panel and say paste, and it brings it across.…- [Rob] Yep, it's just a symbolic link…
Author
Richard Harrington
Released
6/29/2017In this course, join Rich Harrington as he shows you how to record video in raw and log, process the files, and complete a post-production workflow. First, Rich explains the reasons why raw and log files can be beneficial to use. Then, he shows you how to configure camera settings and start recording, monitoring along the way. Next, he covers the file transfer process so you can get the videos ready for post. Finally, he takes you through post-production editing workflows using Adobe Premiere Pro CC, Final Cut Pro X, and DaVinci Resolve. Additionally, Rich shows you some manipulation tricks.
- Recording options for log and raw
- Acquiring video in raw formats
- Configuring cameras to recording in log or raw
- Monitoring log recordings
- Following typical camera workflows
- Getting ready for post
- Using raw and log files in Premiere and After Effects
- Using raw and log files in Final Cut Pro X
- Using raw and log files in DaVinci Resolve
- Managing and manipulating lookup tables
Skill Level Intermediate
Duration
Views
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Introduction
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Meet your instructors1m 42s
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1. An Evolution in Acquisition
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What is log recording?3m 38s
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Beware of fake log3m 59s
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What is raw video recording?7m 21s
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2. Related Terms to Understand
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What is bit depth?5m 44s
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What is dynamic range?4m 19s
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3. Key Recording Options for Acquisition of Raw and Log
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4. Monitoring Log
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Applying a LUT in monitor7m 12s
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5. Typical Camera Workflows
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Sony recording workflow5m 3s
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Canon recording workflow7m 1s
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Panasonic workflow6m 24s
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6. Getting Ready for Post
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Working native or transcoded2m 57s
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Lookup table workflows8m 27s
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Raw development strategies9m 17s
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7. Adobe Premiere Pro CC and After Effects CC Workflows
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8. Final Cut Pro X Workflow
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9. DaVinci Resolve Workflow
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10. Managing and Manipulating Lookup Tables
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Conclusion
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Next steps2m
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Video: Moving raw and log material to After Effects