From the course: Raw & Log Video Production Workflows
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Moving raw and log material to After Effects
From the course: Raw & Log Video Production Workflows
Moving raw and log material to After Effects
- One of the best parts about Adobe Premiere Pro is it's deep relationship with Adobe AfterEffects. So if you're going to be doing motion graphics or visual effects, it's sometimes as easy as copying and pasting between the two applications. Now, there's been a lot of effort made that the lumetri Effect will move smoothly across. So, let's explore what happens when we move some Raw footage, and some Log footage, between Premiere and AfterEffects. How to make sure that any choices we made travel with. - [Rich] Alright Rob, I've launched AfterEffects, and a lot of folks don't realize that AfterEffects does actually now have a media browser, so in the past you had the ability to copy and paste media from Premiere to AfterEffects, and that would work. So for example, if I just needed to bring something over from Premiere, I could select one of those clips and say, copy, and then switch on over to AfterEffects, and click on the Project Panel and say paste, and it brings it across. - [Rob]…
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Contents
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Ingesting raw and log material in Premiere Pro7m 45s
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(Locked)
Creating proxy files in Premiere Pro12m 41s
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(Locked)
Applying and adjusting Input LUTs in Premiere Pro8m
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(Locked)
Adjusting source settings on raw files3m 18s
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(Locked)
An overview of adjusting color and exposure in Premiere Pro5m 47s
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(Locked)
Moving raw and log material to After Effects3m 15s
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(Locked)
Applying a LUT in After Effects5m 7s
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